When my friend Dan Johnson, of Conspiracy Of Beards, the San Francisco men’s choir covering the works of Leonard Cohen, told me he was headed to New York to play a Beards show, he said he needed something East Coast.
At first, we started with a lightweight wool, army-green suit from 1962, paired with a mohair turtleneck, but had problems with fit.
So, fit first, we ended up at this number based around a boys size 16 blazer and vest in tan corduroy of a rare quality in manufacture, circa 1966-68, almost undoubtedly made in Hong Kong.
The shirt, also a boys 16, comes from BEAMS menswear shop of Denver Colorado.
With two ties to complement, allowing versatility dependent upon the fickle Spring weather in New York, we have a sunny-yellow and brown plaid bow tie circa 1930 (above) and a 3-inch cotton tie from Italy circa 1982—exquisite in its coloring, with a base of grey, with blue stripes trimmed in red, leaving an overall impression of an almost lavender hue.
The mint-condition black Weejuns—also manufactured somewhere between 1964-1986 (why change a classic)—lend that definitive East Coast element, collegiate and determined to succeed, yet, to do so in comfort.
I can picture a young Leonard Cohen leaving the Brill Building with a spring in his step upon receiving his first $250 contract. Maybe even on the way to cash the check.
Anyway, the shoes say JFK, without socks, but until summer will look perfect with a pair of argyles peeking out from beneath a pair of charcoal-and-ash Highwater DANDY PANTS—which are the trousers we fixed Dan up with to finish off the ensemble.
Todd is sewing them up as I write.
Live pics upon Dan’s compliance. Dan?
Go, Beards!
P.S. I’ve heard twice now, “How does one iron a raincoat?” You don’t! You let it fall out. Plus, not only do I prefer the wrinkled texture, it won’t last—a state as fragile as Spring itself.




















